How to Fight Spectator Worship

Lights. Camera. Action.

We have all experienced the hair on the backs of our necks stand up from a good show or experience. Maybe the atmosphere was just right or the speaker or musicians were well rehearsed and the performance nearly moved us to tears. We have all also probably been in a scenario where all we could do was grimace and mumble (in our best southern voice) “bless his/her heart.”

When thinking back to either of these experiences did either take place at church?

As ministers we must think about what types of experiences, memories, moments, and performances we putting on each and every week within our houses of worship? Let me ask you: What is memorable? The atmosphere? The quality of performance? That soloist who had the voice of an angel? Or the congregational worship in response to the Spirit of God?

I hope it is the latter. If it’s called a worship service, should there not be more worship going on? This week we are going to discuss maintaining well-balanced worship, and fighting the talent show spectator sport mentality that we often unintentionally instill within or people. Sure, the spectator mentality may not be created intentionally, but it is happening, nonetheless.

Let’s start at the beginning… the diagnosis of the problem.

In “worship,” are we supposed to be participants or spectators?

We all know the answer… participants.

So if we all know the correct answer how does spectator worship still happen? We all can be guilty at times. No style of music or church setting is exempt. Often, contemporary churches create a concert atmosphere. From the style of the music and the way it is presented, to the layout of the “worship center,” there is a feel that is remarkably similar to a concert or a theater experience. For obvious reasons that can get confusing for our congregations, because in theaters and concerts, the audience is not required to participate in way, form, or fashion. Their sole responsibility is to set back, stay awake, and enjoy the show in a consumer-like fashion. But… the “trendy” contemporary churches aren’t the only ones to blame! In fact, many traditional services have beloved hymns that have been sung in the same way for years that take absolutely no thought or “worship engagement” to get through. We have created zombies that can sing melodies! Many traditional services also incorporate choirs that sing songs while the attendees listen or put on special shows that are “concert-like.” Other times, there is “special music” by a soloist or ensemble. The best part, of course, is the “offertory” where a talented musician plays his or her instrument during the passing of the plate and everyone listens to the performance.

So, what’s the problem with “spectator” worship?

Worship is not the same thing as entertainment. Groundbreaking thought I know… unfortunately, the whole approach of much of our “worship services” is nothing more than entertainment with a Christian title. Does a “better” atmosphere mean “better” worship? Does the skill of the soloist, or the intonation of a choir really constitute a better worship experience? Does it truly bring more honor and glory to God if you “jaw-drop” the audience with your guitar solo or piano finesse? But… by breeding a spectator mentality we tend to also breed an entertainment mentality.

Spectators also tend to be prone to the consumer mentality that plagues our American culture. In an age of American Idol, America’s Got Talent, and America’s Next Top Model our culture is filled with “expert” judges and consumers with little knowledge or experience in whatever area they are judging. How many times have we attended a movie or show and immediately walked out giving our thoughts on what was well done and what wasn’t. I have… but the fact is I know absolutely nothing about making a movie. I can give my opinion… but that is all it really is: an opinion. Sometimes we unintentionally drag this consumer or critiquing mindset into church. We leave right after a service and judge the worship based off the quality of the music or even better… the musical selection, and the preaching based off of whether or not we liked the message or the Pastor kept us engaged enough.

These problems undermine true worship, and what we have done by breeding these issues (spectator worship) and not teaching against them has now come to bite us in the rear! You know, recently I was shown an interesting statistic. It is well believed that the average goldfish has a 9 second attention span, and we often joke around with people and say, “You have the attention span of a goldfish.” But… actually a recent study says that an average human attention span is now 8 seconds! You heard me right… 1 second less than that of a goldfish. So the question is… if we allow spectator worship to shape and form our church’s worship can we entertain the people enough? Absolutely not.

So… how do we engage people in authentic God-honoring worship? Let’s think together.


  • Sing songs that people can sing.

It may seem obvious… but we have to start by singing songs that people are capable of singing. As a member of the congregation if I have to watch the “show” more than half the time then we as leaders have missed the point!

The fact of the matter is that too often we are singing songs not suitable for congregational singing. There are lots of great, new worship songs today, but in the vast pool of new songs, many are not suitable for congregational singing because of a multitude of reasons like key, rhythm, melody, etc. But, the truth is though, there are many hymns that aren’t great for our current singing as well because of rhythm, melody, and a language barrier between “old-time” speech and how we talk today.

What I try to keep in mind when selecting songs is that in order for people to sing the songs in any given worship service, the songs have to have a sing-able melody (that doesn’t take a master’s degree in music or 8 hours of practice) and be placed in keys that the common person can sing. You see, we as leaders might think a song is easy, but the reality is that we have been listening and practicing it all week and our congregations only have once on Sunday to sing along. Also, if songs are placed in keys that are too high, many people just stop singing because it hurts to sing high, or they are embarrassed to hear their voice at a raised level when they are trying to reach out and strain to get that note you have asked them to sing.

What we seem to have forgotten is that the average singer has a medium range, and many worship leaders, myself included, have high voices and want to pitch the songs in keys in which they sound the best for us to lead them in. But, we must remember that worship is not about impressing the congregation with our awesome vocal skills. Instead it is about enabling the people to worship, and facilitating that response through our direction (guided by the Spirit of course).

  • Sing songs that people can follow.

Nobody likes going to a concert where you don’t know a single song and have no clue what is going on. Have you ever been to a church service like that? I have… and to be honest my worship through song really suffered.

Many of us Worship Leaders and Pastors love singing new music and are completely wrapped up in that world all week. But to be honest most of our congregation isn’t. They might not be in tune with the newest song or the latest and greatest group. Often the only Christian music they hear is at church! So… sometimes when we don’t balance out our set lists that allow for easy following a congregation ceases its participatory worship in order to learn the new songs or turn totally to spectator mode and treat the song as a “special music” portion of the service.

So… first of all, should we sing new songs in worship? I believe the Bible is clear in that regard. Psalm 33:3 says,

Sing unto Him a new song; play skillfully with a loud noise.

Psalm 40:3 says,

He put a new song in my mouth.

Psalm 96:1 says,

Sing to the LORD a new song.

Psalm 144:9 says,

I will sing a new song to you, O God.

Psalm 149: 1 says,

Praise the LORD. Sing to the LORD a new song.

I could go on and on. Singing new songs is beneficial because they keep us out of a rut, bring us a new sense of freshness and enthusiasm, force us to think about what we are singing, expand our worship vocabulary, and help us capture what God is saying to the body at the time. Newer, contemporary songs generally will connect to today’s culture in a language they understand better than songs several decades or centuries old. Our songs are a vital part of our worship vocabulary. As long as we are singing songs we know, we are able to worship without the hindrance of learning new melodies and rhythms. But, when we place a new song in our times of corporate worship, we can interrupt the flow of worship. When new songs are first introduced, the people have to take their eyes off the Lord and concentrate on the task of learning the new tune. With this in mind, I believe new songs can kill our worship or they can greatly enhance our worship depending on how we balance them and utilize them in our services.

So how do we balance the problem of creating spectators with all the great reasons to include new songs in our worship? The key is how we introduce the songs and the frequency of new song introduction. We must make sure the songs are first sing-able and then gauge our church based off of their ability to pick up on newer songs. The results will vary depending on the average age of your congregation, what types of songs you are playing, and the context you are in.

One thing I would like to clarify is that we don’t need to mistake “unwilling” to learn new songs for “unable.” Sometimes we have a tendency as humans to like things they way they are, and always have been, and we are content in our comfort. We must fulfill the Biblical mandate to sing new songs… so we have to do our job to facilitate that as painlessly as possible.

  • Be ready to teach.

As worship leaders, we often get so involved in our professional production and understanding of worship that we fail to be authentic, invite the congregation into the experience and act of worship, and then do all we can to facilitate that response. Sometimes it is far too easy to lose sight of our purpose of helping the congregation to voice their worship, and letting them know that they have a reason to sing.

Sometimes the “spectator worshipper” mentality just comes from a lack of understanding or education on the subject. We need to take a step back a realize that not everyone is as deeply immersed in worship as we are (I mean it is our job). We must be willing and ready to teach words, teach songs, and most importantly teach each methods, reasons, and purposes of worship.

A functioning understanding often goes a long way.


So how are you fighting the fight against “spectator worship?”

Worship that is Tasteful.

The idea that “less is more” has spread like wildfire in the recent years. I like the saying itself, but I don’t necessarily enjoy the mediocrity that it sometimes ushers in to the art of music. Sometimes the idea of “less is more” can be used as a crutch to continue standing on mediocrity or to justify a lack of improvement due to whatever reasons one may have. I have even seen this excuse being used to make one feel better about their own laziness: either in the world of musical practice/ knowledge, or even in the recruitment of musicians.

I am going to go out on a limb and say that no person has ever walked out of a church service and said, “If they had one more guitar or drum solo I probably would have encountered the presence of God.” But I can guarantee you that someone has walked out of a church and said, “The music was very good and the musicians were very skilled… but instead of worshipping I got caught watching a performance.”

The reason I can say that is… I have been that person. I have said those exact words.

I think that sometimes we fall victim to a shortfall in our thinking concerning our music making in the church worship context. We can think that, “I am part of a worship band, I need to be playing all the time… that is what I am here for!” However, I think the opposite is true. We as artists or musicians want to contribute and play/ use our craft all of the time… for good reasons too! We have been given a particular set of skills and we want to use them to bring glory and honor to Christ. But somewhere along the way we have misinterpreted the idea of worship and music-making… many of us have come to believe that we are to be “busy” as musicians all of the time. That is where our “less is more” phrase comes into play.

Now hear me out… the phrase “less is more” doesn’t mean that we should be satisfied with mediocrity, or my most despised phrase, “It is good enough for church.” Instead it means that we should be content in serving and providing what is needed. In some instances that may mean rocking out with all that you have got to add texture and energy to song arrangement… in other instances that may mean sitting on your hands for ten minutes and focusing on the words of the song being sung.

In fact, instead of saying “less is more” I like the phrase, “tastefully add what is needed, and leave out the rest.”

I like the idea of being tasteful. You may ask… how does being tasteful apply to music?

The great jazz trumpeter Miles Davis has an interesting nickname for someone of his musical “caliber. “ Davis has been deemed the master of understatement. Miles Davis has been quoted stating that,

The more important notes are the ones you don’t play.

I live by the idea that I lead more through my worshipping and presence than I do from my instrument. That being said, I may actually lead better by not playing and just worshipping God than by playing the most complex part that can fit into the song.

How do we provide tastefully what is needed? Let’s think together.


  • Acknowledge your role.

What is your role in the band? Are you the bass player? Drummer? Keyboard player? Vocalist? Is your role to provide content and lyrics or to support the text of the song?

Music played in church worship serves a higher purpose than any other form of secular music… it teaches and shapes the thinking of Believers. That means that every part of every song should be intentional and beneficial to the song as a whole. No single part should distract or pull away from the whole “being” of the song. Everything happening should point to the purpose… Christ. That doesn’t mean we can’t be artistic and do “cool” artistic things. That doesn’t mean we can’t solo or have “catchy” tags/ parts. But… like I said before… every part should contribute or add to the “whole.” Because what we do informs peoples thinking of our Savior it should go without saying that…

The content of the song is important!

We have discussed in previous blogs, that can be found on this site, about how important the songs we choose and play are to the life of a church and the life of an individual believer. The same can be said about how we present the songs that we do choose to play.

Each of us needs to discover and embrace our role in the “band” and do it well in order to point to our God.

  • Take only what is yours.

As musicians we should always be asking ourselves, “Where, when, and what should I be playing?” And… “Is my playing or singing robbing someone else of the opportunity, or misdirecting the glory or praise?”

Just because we can play or sing something doesn’t mean that we should be. The question I always ask myself before getting on stage or while rehearsing is, “How is this going to be perceived by the average church attendee.” What I mean by that is where is the attention and glory going? Where is the spotlight being pointed?

If I play a tremendous solo or sing a great run and the attention and praise goes to me then ultimately I have failed at what I set out to do.

DISCLAIMER: We do have to be careful in this thinking though because we shouldn’t allow our own expressions of worship to be suffocated or restricted by the misunderstandings of others. We may be approaching the throne room with our musical abilities with the right heart and in the right spirit and some may question our motives or technique, but that shouldn’t stop our endeavors… but we should at some point be mindful at how our methods come across.

  • Benefit comes with discipline.

The word “discipline” usually comes with negative connotations or a “bad rap” when in fact it can be a very good thing.

Tasteful worship can also be described as “skilled” worship.

Psalm 33:3 says,

Sing a new song of praise to him; play skillfully on the harp, and sing with joy.

God desires our “skillful” worship. Skills without the authenticity and genuineness of God-centered worship is nothing but ear-pleasing… but when combined skills and purpose can shake up the system.

We should be consistently practicing and honing our skills… not so we can show them off at every opportunity. But instead so we can seize the opportunity when it arises and give all the glory to God who has provided the set.

1 Chronicles 15:19-22 tells of a “praise team” who plays under the provision and instruction of a man chosen for his skill at the craft. It says,

The musicians, Heman, Asaph, and Ethan were chosen to sound the bronze cymbals. Zechariah, Aziel, Shemiramoth, Jehiel, Unni, Eliab, Maaseiah and Benaiah were chosen to play the harps.  Mattithiah, Eliphelehu, Mikneiah, Obed-edom, Jeiel, and Azaziah were chosen to play the lyres. Kenaniah, the head Levite, was chosen as the choir leader because of his skill.

Clearly, God wants our best, and we should bring Him our best, purest sacrifice of praise as we worship Him. We should discipline ourselves to practice and play with self-discipline. Just remember that just because we can play something doesn’t mean that we always should. Not playing can also be a sacrifice of praise.

John 3:30 contains a great principle for life and artistry. It says,

He must increase, but I must decrease.

This applies in a worship band context to say that I must be willing to decrease to help people focus on the purpose… God.


Let’s remember… a great song will be great no matter if it’s played with a single instrument, or hundreds of instruments, and authentic worship will take place despite how it is presented or performed. I think we need to re-evaluate and concentrate on what’s important… let’s not fall into the temptation of adding things just because we can. Let’s be musical for our God.